- Format: Hardcover
- ISBN: 978-0-7190-9709-6
- Pages: 320
- Publisher: Manchester University Press
- Price: £80.00
- Published Date: May 2019
- BIC Category: Art History, Social & cultural history, Modernism, Italy: post First World War period & Fascism (1918–1943), Italy, Engineering skills & trades, ART / History / Modern (late 19th Century to 1945), HISTORY / Social History, The arts / History of art & design styles: from c 1900 -, Humanities / Social & cultural history
This is the first interdisciplinary exploration of machine culture in Italian futurism after the First World War. The machine was a primary concern for the futuristi. As well as being a material tool in the factory it was a social and political agent, an aesthetic emblem, a metonymy of modernity and international circulation and a living symbol of past crafts and technologies. Exploring literature, the visual and performing arts, photography, music and film, the book uses the lens of European machine culture to elucidate the work of a broad set of artists and practitioners, including Censi, Depero, Marinetti, Munari and Prampolini. The machine emerges here as an archaeology of technology in modernity: the time machine of futurism.
'This book will be especially valuable to scholars of modernist visual and performing arts, though anyone invested in discourses about modernist machine culture and technology will find much to admire in Pizzi's book.'
The Modernist Review
Introduction: the rape of Europa
1 Futurismo and the machine
2 Mechanic machi(ni)smo: Filippo Tommaso Marinetti
3 Style of steel: Fortunato Depero in 'dynamoland'
4 At the frontier of futurismo
5 Between technodialogism and cosmic idealism
6 From aerodancing technobodies to dysfunctional machines
Conclusion: ex machina
Katia Pizzi is Senior Lecturer in Italian Studies at the Institute of Modern Languages Research, School of Advanced Study, University of London.