Decentring France

Multilingualism and power in contemporary French cinema

By Gemma King

Decentring France
Hardcover +
  • Price: £21.00
  • ISBN: 9781526113573
  • Publish Date: Aug 2017
  • Publisher: Manchester University Press
  • Buy Now

    Paperback +
  • Price: £21.00
  • ISBN: 9781526113580
  • Publish Date: May 2019
  • Publisher: Manchester University Press
  • Buy Now

    eBook -
  • Price: £21.00
  • ISBN: 9781526113603
  • Publish Date: Oct 2017
  • Publisher: Manchester University Press
  • Buy Now

    Book Information

    • Format: eBook
    • ISBN: 978-1-5261-1360-3
    • Published Date: October 2017


    In a world defined by the flow of people, goods and cultures, many contemporary French films explore the multicultural nature of today's France through language. From rival lingua francas such as English to socio-politically marginalised languages such as Arabic or Kurdish, multilingual characters in these films exploit their knowledge of multiple languages, and offer counter-perspectives to dominant ideologies of the role of linguistic diversity in society. Decentring France is the first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power, showing how even the most historically-maligned languages can empower their speakers. This book offers a unique insight to academics and students alike, into the place of language and power in French cinema today.


    'Starting off with a brief overview of French cinema from the silent period to the present, King then focuses on eight films that are both multicultural and multilingual, and examines how the use of Kurdish, Tamil, Arabic and other languages within these films empowers the cultures they represent as well as the languages themselves. King argues that by refusing to "center" the French language in contemporary French cinema, these films - among them Jacques Audiard's Dheepan (2015) and Un prophète (2009), Laurent Cantet's Entre les murs (2008), Philippe Lioret's Welcome (2009) - force cinemagoers into a deeper engagement with issues of class, race, nationality, and cultural privilege.'
    G. A. Foster, University of Nebraska-Lincoln, CHOICE, October 2018, Vol. 56, No. 2


    List of figures
    1 Introduction
    2 A brief history of multilingualism in French cinema
    3 Decentred perspectives: case studies
    4 Capital centres: Polisse and Entre les murs
    5 Urban margins: Un prophète and Dheepan
    6 Coastal borders: Welcome and La Graine et le mulet
    7 International spaces: London River and Des hommes et des dieux
    8 Conclusion


    Gemma King is Lecturer in French Studies at the Australian National University

    To purchase as an ebook, please visit your preferred ebook supplier

    Amazon Amazon Waterstones Blackwells Bookshop Kobo

    Newsletter Sign Up

    Manchester University Press

    Your cart is empty.

    Select your shipping destination to estimate postage costs

    (Based on standard shipping costs)

    Final cost calculated on checkout
    Promotional codes can be added on Checkout

    Sign up for our newsletter and get 30% off any MUP title.