- Format: Hardcover
- ISBN: 978-1-5261-2912-3
- Pages: 248
- Publisher: Manchester University Press
- Price: £80.00
- Published Date: August 2018
- BIC Category: PERFORMING ARTS / Theater / History & Criticism, LITERARY CRITICISM / Drama, Theatre Studies, Theatre studies, Literary studies: c 1600 to c 1800, Espionage & secret services, Literature & literary studies / Literary studies: c 1500 to c 1800, Literature & literary studies / Literature: history & criticism, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Modern / 18th Century, Humanities / Social & cultural history
This is the first biography of Thomas Harris. Until now, little has been known about his life. He was most visible as the man who controlled Covent Garden theatre for nearly five decades, one of only two venues in London allowed by law to perform spoken drama. But this career was only one of many: he became the confidant of George III, a philanthropist, sexual suspect, and a brothel owner in the underworld of Covent Garden. While deeply involved in Pitt the Younger's government, Harris worked as a 'spin doctor' to control the release of government news. As novelists created elaborate storylines with fictional intriguers lurking in the shadows, Harris was the real thing. In this lively recreation of life in Georgian London - social, political, sexual, theatrical - his career intersects many of the hidden worlds of the eighteenth century. This narrative of detection brings together a hoard of newly discovered manuscripts to construct his many lives.
'Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [.] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece.'
Times Literary Supplement, January 2019
'Thomas "Jupiter" Harris provides a meticulous investigation of Thomas Harris and everyone involved in the life of Covent Garden in the late eighteenth and early nineteenth centuries. The carefully researched theatre history reads like a novel abounding in political intrigue, social unrest, violence, and crime, but it also documents the life of a manager whose passion was his theatre. It is not only a book for eighteenth- and nineteenth-century theatre scholars, it is also a captivating book for British history enthusiasts.'
Restoration and Eighteenth-Century Theatre Research
1. Introducing Thomas Harris
2. The king of clubs
3. 'Plausible' Jack and the Royalty adventurers
4. When sorrows come, they come not single spies
5. Selling a life
Warren Oakley is a former research fellow of the Folger Institute, Washington DC, and visiting fellow of the Houghton, Harvard University