'Systematically and eloquently taking us through the most important thinking on design and its place in our symbolic and social order, Ory Bartal brings out the myriad social critiques in Japanese material culture. He ranges from the new aesthetic milieu of the postwar miracle to the pioneering designs of Ishioka Eiko and Suzuki Hachiro, the radical fashions of Rei Kawakubo, the Arcadian retail vision of Mujirushi Ryokin, the theatrically phantasmagorical designs of Hironen, and then into the digital age of design in the twenty-first century. Richly illustrated, entertaining and insightful, this book is essential for anyone seriously interested in Japanese design.'
Toby Slade, Keio University

'Bartal uses critical theory to present to the reader the outcome of multilingual scholarship, which has resulted in a wealth of information and detail that deserves attention, recognition, and further exploration.'
Design and Culture review

'[.] Bartal's extensive knowledge of the designers, institutions, and organizations that created the complex and diverse landscape of design and media in postwar Japan is evident. Bartal's analysis shows thoughtful and close observation, rich with theoretical references from a multitude of disciplines. This book should be celebrated for its intensely researched and engaging material that astutely weaves together the seemingly discordant waves of designers and movements with the complex sociopolitical context of postwar Japan.'
CAA Reviews

Ory Bartal is Head of the Department of Visual and Material Culture at Bezalel Academy of Arts and Design, Jerusalem