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The wounds of nations

Horror cinema, historical trauma and national identity

By Linnie Blake

The wounds of nations
Hardcover +
  • Price: ¬£16.99
  • ISBN: 9780719075933
  • Publish Date: Jul 2008
  • Publisher: Manchester University Press
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    Paperback +
  • Price: ¬£16.99
  • ISBN: 9780719075940
  • Publish Date: Jun 2012
  • Publisher: Manchester University Press
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    eBook -
  • Price: ¬£16.99
  • ISBN: 9781847796851
  • Publish Date: Jul 2013
  • Publisher: Manchester University Press
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    Book Information

    • Format: eBook
    • ISBN: 978-1-8477-9685-1
    • Published Date: July 2013

    Description

    The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state.

    Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion.

    By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.

    Contents

    Introduction: traumatic events and international horror cinema
    I German and Japanese horror - the traumatic legacy of world war two
    II The traumatised 1970s and the threat of apocalypse now
    III: From Vietnam to 9/11: the Orientalist other and the American poor white
    IV: New Labour new horrors - the post-Thatcherite crisis of British masculinity
    Conclusions
    Bibliography
    Filmography
    Index

    Author

    Linnie Blake is Senior Lecturer in Film, Manchester Metropolitan University

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