Manchester University Press’s renowned Studies in Design and Material Culture series continues to develop the art history landscape with its latest publication, Threads of Globalization edited by Melia Belli Bose. This interdisciplinary volume, within the series’ esteemed collection of monographs and edited volumes, offers a compelling exploration of the intricate relationship between fashion, gender, identity, and globalization across Asia during the long twentieth century.
At the heart of the Studies in Design and Material Culture series lies a commitment to publishing high-quality research that spans a broad chronology and geography. From theories and histories of materiality to the dynamics of fashion and culture, the series provides a comprehensive platform for delving into the multifaceted realm of design and material culture.
Threads of Globalization stands as a testament to the series’ ethos, offering rare insights into Asian textile and fashion traditions while critically examining the impact of mass-produced fashion on textile labour and the lives of its makers. Through a nuanced lens, the volume explores the shift from artisanal production to ‘fast fashion’ over the past 150 years, shedding light on how this transition has devalued women’s textile labour and eroded heritage traditions.
One of the distinctive features of Threads of Globalization is its interdisciplinary approach, which brings together diverse perspectives from scholars, artisans, and socially engaged artists. Through rich case studies and in-depth analyses, the volume highlights the resilience of skilled textile and garment makers in preserving and reviving heritage traditions amidst the pressures of globalization.
Moreover, the volume offers timely reflections on the role of socially engaged artists in Asia and the diaspora, who use their creative work to critique labour and environmental abuses in the global fashion industry. By amplifying marginalized voices and shedding light on labour injustices, Threads of Globalization serves as a powerful catalyst for critical dialogue and social change.
As part of the Studies in Design and Material Culture series, Threads of Globalization contributes to a broader conversation about the intersections of design, materiality, and culture in an increasingly interconnected world. With its rare in-depth studies and timely examination of pressing issues, this volume exemplifies the series’ dedication to fostering interdisciplinary scholarship and advancing our understanding of design’s impact on society.
In conclusion, Threads of Globalization invites readers to embark on a thought-provoking journey through the intricate tapestry of Asian textile traditions and the complex dynamics of globalization. Through its meticulous research and compelling narratives, the volume inspires reflection, dialogue, and action, underscoring the enduring relevance of the Studies in Design and Material Culture series in shaping the discourse on design and materiality.